To Jolie, Or Not To Jolie:
The perils of bringing Patricia Cornwell’s Kay Scarpetta to the screen
posted 8-12-2010 - 12:50 am

 
I love a good mystery. Always have. My affair with Agatha Christie novels began in sixth grade, right around the same time that I discovered Stan Getz records and James Bond films. Christie made Earle Stanley Gardner’s Perry Mason look simple and Mickey Spillane look rude and dumb. I favored Hercule Poirot over Miss Marple, but not by much.

It wasn’t long before I discovered Raymond Chandler, Dashiell Hammett, and British mysteries on public television. It was all downhill from there; I became a mystery reader for life. In time, I ran across crime novelist Patricia Cornwell’s work and became an avid reader of that, too. And a fan of her character Kay Scarpetta, the fictional chief medical examiner of Virginia. It wasn’t hard to identify with her: when I began in journalism, I, too, was the rare woman in a man’s profession and just about as welcome (meaning: not very).

So when it was announced last February that Scarpetta might finally be brought to life on the big screen, naturally, I was interested. Until I learned that Angelina Jolie would probably get the role.

Films we love/hate:  Waiting for Hollywood to catch up to the 21st century
posted 8-12-2008 - 7:18 am

 
Last Friday, USA Today reporter Susan Wloszczyna went looking for influential women in the film business to get their take on what the future holds for women in Hollywood. Too bad some of them still have no idea about what real women want to see at the movies. Perhaps they've spent too much time with male colleagues who make juvenile films for other overgrown teenagers to realize that a female equivalent of The Pineapple Express isn't what we're looking for. And like Freud, maybe they should just ask us instead of making silly assumptions and even sillier films.

Movie producer Nancy Juvonen has made 10 films to date with partner Drew Barrymore. Juvonen is right when she says women are picky about which films they see and "want a guarantee for their time," i.e., to walk out satisfied and smiling afterwards. Women don't automatically rush out to see every new 'chick' flick – they want to know a film is worth the effort to see it at the theater. It doesn't necessarily hurt for a film to be more realistic, either. But Juvonen is dead wrong when she asserts that "Knocked Up and The Break-Up are more appealing than 'One day my prince will come.'" Bad choices there: they make a fairy tale, even a grim one, sound good.